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Michael Daves Sunday Residency w/ Tony Trischka
Michael Daves Sunday Residency w/ Tony Trischka


 
Sunday, August 12th, 2018
7:30pm

TONY TRISCHKA

A native of Syracuse, New York, Trischka's interest in banjo was sparked by the Kingston Trio's "Charlie and the MTA" in 1963. Two years later, he joined the Down City Ramblers, where he remained through 1971. That year, Trischka made his recording debut on 15 Bluegrass Instrumentals with the band Country Cooking; at the same time, he was also a member of America’s premier sports-rock band Country Granola. In 1973, he began a three-year stint with Breakfast Special. Between 1974 and 1975, he recorded two solo albums, Bluegrass Light and Heartlands. After one more solo album in 1976, Banjoland, he went on to become musical leader for the Broadway show The Robber Bridegroom. Trischka toured with the show in 1978, the year he also played with the Monroe Doctrine.

In 1978, he toured Japan and recorded with Peter Rowan and Richard Greene. In the early 1980s, he began recording with his new group Skyline, which released its first album in 1983. Subsequent albums included Robot Plane Flies over Arkansas (solo, 1983), Stranded in the Moonlight (with Skyline, 1984) and Hill Country (solo, 1985). In 1984, he performed in his first feature film, Foxfire with Hume Cronyn, Jessica Tandy and John Denver. Three years later, he worked on the pre-recorded music for the off-Broadway production of Driving Miss Daisy that featured Jessica Tandy and Morgan Freeman. Trischka produced the Belgian group Gold Rush's No More Angels in 1988. The following year, Skyline recorded its final album, Fire of Grace. He also recorded the theme song for Books on the Air, a popular National Public Radio Show, and continued his affiliation with the network by appearing on Garrison Keillor's Prairie Home Companion, Mountain Stage, From Our Front Porch, and other radio shows. Trischka continued his recording career with 1993's World Turning, 1995's Glory Shone Around: A Christmas Collection and 1999's Bend. New Deal followed in 2003.

Double Banjo Bluegrass Spectacular, featuring appearances by Steve Martin, Earl Scruggs, Bela Fleck, Tony Rice and many other luminaries, came out four years later. For this recording he went back to Bluegrass and reinvigorated the double banjo tradition. In October 2007, Tony was given an IBMA (International Bluegrass Music Association) award for Banjo Player of the Year 2007. Double Banjo Bluegrass Spectacular received IBMA awards for Recorded Event of the Year, Instrumental Album of the Year and a Grammy Nomination.

With his fearless musical curiosity as the guiding force, Tony Trischka's critically acclaimed release, Territory roams widely through the banjo's creative terrain. Nine selections partner Tony with fellow banjoists Pete Seeger, Mike Seeger, Bill Evans, Bill Keith and Bruce Molsky. Twelve all-Trischka solo tracks explore a panorama of tunings, banjo sounds, and traditions; tapping the creative potential of America's signature musical instrument.

Tony is not only considered amongst the most innovative of banjo players, he is one of its most respected and sought after instructors creating fifteen instructional books as well as a series of DVDs. In 2009, he launched the groundbreaking Tony Trischka School of Banjo, an advanced, interactive, online instructional site that is the banjo home for students from around the world.

2011 saw “Give Me the Banjo” aired on PBS stations nationwide with Tony as the Musical Director and Co-Producer of the documentary. It was subsequently released on DVD. He produced Steve Martin’s Grammy nominated Rare Bird Alert (Rounder), which features performances by Paul McCartney, the Dixie Chicks and the Steep Canyon Rangers.

In the summer of 2012, Tony continued to broaden the reach and influence of the banjo as performer and Band Leader for the Shakespeare in the Park, NYC performances of “As You Like It”, placing the banjo in even newer ground.

In December of 2012, Tony was awarded the United States Artists Friends Fellow in recognition of the excellence of his work.

On Tony’s latest album Great Big World (Rounder Records - released February, 2014) his instrumental expertise and boundless imagination are as sharp as ever. One of the most ambitious and accomplished of his career, the album is a deeply compelling showcase for his expansive instrumental talents, far-ranging musical interests and distinctive songwriting skills, as well as his sterling taste in collaborators. With contributions from his band Territory, Steve Martin, Michael Daves, Noam Pikelny, Ramblin’ Jack Eliot and many other special guests the 13-track set finds Trischka embracing all manner of possibilities, while keeping one foot firmly planted in the traditional bluegrass roots that first inspired him to make music.

Tony continues to maintain a national and international touring schedule with his band of extraordinary musicians.
MICHAEL DAVES

Michael Daves was born in 1977 in the southern empire of Atlanta, Georgia. Soon after, he began to make loud noises, so his loving parents put music instruments in front of him. It was a good plan. He grew up in that grand tradition of staying up late & singing real loud. Although he's since moved north, the humid south remains in heart and sinus cavities. Heralded as “a leading light of the New York bluegrass scene” by the New York Times, Daves has garnered attention for his work with Chris Thile, Steve Martin, Tony Trischka, and Rosanne Cash in addition to his solo performances.

Daves' most recent project is a two-album set, Orchids and Violence, released February 2016 on Nonesuch Records. Both discs are self-produced and have identical track listing of mostly traditional bluegrass songs. The first features straightforward interpretations of them and was recorded live to tape in a 19th-century church by Daves and a band of roots-music innovators: bassist Mike Bub, violinist Brittany Haas, mandolinist Sarah Jarosz, and banjo player and Punch Brother Noam Pikelny. The second disc was recorded in Daves's home studio and includes bass, drums, and electric guitar, mostly played by Daves, and takes a raw, experimental rock approach to the same old-time material. "The identical track listing makes for a good comparison study," says the New York Times music critic Nate Chinen in his review, "and to his credit, it can be hard to pick which version of a tune is best."

Daves previously recorded bluegrass standards on Sleep with One Eye Open, his Nonesuch debut, a duo session with mandolinist Chris Thile (Punch Brothers, Nickel Creek) that earned the pair a 2011 Grammy nomination. The duo makes for "a rip-roaring partnership," writes the New York Times. "Bluegrass, in their hands, gets roughed up in the best possible way, with skill and fervor, and a touch of abandon."

Although he is best known as a roots musician, Daves gravitated toward experimental music and jazz while studying at Hampshire College in Massachusetts. Relocating to Brooklyn more than a decade ago, he began to crave the social interaction and musical challenges of bluegrass: "In Western Massachusetts, I was mostly doing jazz. By the time I moved to New York, I was ready to leave that behind, get back to my personal roots in bluegrass music. There were good jam sessions in New York and I was excited to reenter a regular jamming culture in the city. And I was getting back into rock music, too. The Brooklyn scene in 2003 and 2004 was pretty fertile. There was a lot of great, kind of raw, experimental rock music happening at that time, drawing me in, scratching an itch."

Since 2006 Daves has maintained a weekly residency on Tuesday nights at The Rockwood Music Hall in Manhattan where he continues to draw a devout following, and uses the informal setting to showcase special guest appearances with a who’s who of bluegrass musicians including Noam Pikelny, Chris Eldridge, Sarah Jarosz, and Aoife O’Donovan. Daves has also used the setting to develop his electric trio Wax Lion with experimental rock drummer John Colpitts (aka Kid Millions) and electric bassist (and visual artist) Jessi Carter, Daves' wife and collaborator on the electric side of Orchids and Violence.

Daves is also an in-demand teacher and noted booster of NYC’s thriving bluegrass music community. In addition to offering private instruction and group classes in Brooklyn (as well as the occasional festival or music camp workshop) Daves recently launched an online school in bluegrass vocals on ArtistWorks.com, the leading music learning website.


: $20.00


Alternate Pricing*:


 
 
Sunday, August 12th, 2018
7:30pm

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